With pieces that were slim cut...
...and oversized, Consuelo Castiglioni kept the Marni flavour strong.
The collection featured versatile knits...
...covetable accessories...
...and fashion-forward outerwear. Fashion Blog by Rohan Sajnani
With pieces that were slim cut...
...and oversized, Consuelo Castiglioni kept the Marni flavour strong.
The collection featured versatile knits...
...covetable accessories...
...and fashion-forward outerwear.
Versace: a solid colour throughout the ensemble will make this look more wearable.





Lacing can be demure, like this piece from Dolce & Gabbana...
... or badass, like these shredded pants from Roberto Cavalli.
Karolina Kurkova smoked down the runway in a laced tunic and killer boots for Emilio Pucci. 
If the above examples are too bold, try incorporating smaller lace details, like the bottom of these pants from Gucci.


... but her ability to play with design has youthful appeal as well. 
She has a masterful sense of proportion and placement...
... and makes no apologies for grandeur, while maintaining refinement.
Maria Grazia Chiuri and Pier Paolo Piccioli continue to find their footing at the house of Valentino; their couture presentation was experimental to the point of confusion. Still, they did come up with this cage-like dress, which was, I think, the only compelling piece in the lot.
Gaultier's collection was typically French, dark and thought-provoking. He seemed to be exploring the more macabre side of glamour, with tons of untrimmed fur, corsets shaped like rib-cages, monocle adornments and smoking models. I really loved the strength of this loosely gathered coat...
...and the feathered dégradé effect on this skirt.
Innovative and multi-textured fabrics also appeared at Chanel.
Anyone who knows me knows I love booties. These ruched gold ones from Chanel echoed the leg feathers of the giant gold lion around which the girls traipsed.

Instead, he used shape, colour and texture to shift away from the de rigueur, decorative arena of floral motif and presented flowers in more dynamic formal language; actual, larger than life flowers came down the runway, as opposed to fabrics covered with facsimiles.
Cellophane head-wraps and waists cinched with raffia and ribbon highlighted his dramatic-as-always interpretation, as Galliano wooed his audience/lover with couture bouquets, as if fresh from a Paris flowershop.
As much as I loved the collection, I did not like the shoes...